Episode 63: Alina Ibragimova on historically informed performance

Exploring the topic of historically-informed performance in this episode is violinist Alina Ibragimova. She’s got a new album out now of the Telemann Fantasias for solo violin, that she’s recorded on a venerable Amati instrument, with a baroque bow and gut strings. Alina shares her personal journey of discovering historically informed performance, as well as some tips to approaching the style – including how it’s not just about playing without vibrato. Alina is the first violinist of the Chiaroscuro Quartet, which features in our November 2022 Session Report. Check it out here: https://www.thestrad.com/for-subscribers/session-report-the-chiaroscuro-quartet-on-mozarts-prussian-quartets/15496.article Check out thestrad.com for the latest news, articles and reviews on all things to do with string playing. Register and subscribe to access exclusive archival content from 2010 onwards. Student discount! Get 50% off an online subscription! Check it out here: https://bit.ly/3eQ75AB  Find us on social media: Facebook.com/thestrad Twitter: @TheStradMag Instagram: @the_strad_   Fantasia no.7 in E flat major TWV 4020 I: Dolce Telemann Fantasias for Solo Violin Alina Ibragimova, violin Hyperion   Photo credit: Eva Vermandel